Privatus latin4/30/2023 Your ALL CAPS NAME on your birth certificate is a corporation that operates as a debtor in the Matrix. Your birth certificate registers you as a slave via a Trust in the Matrix. The State, via an unlawful conversion at the point of your birth certificate, has trespassed against you. At the same time, an aware living man or woman can separate themselves from the legal fiction NAME and become the rightful controlling Agent, Beneficiary, Executor/Executrix for MR JOHN DOE TRUST. Any living man or woman unknowingly in JOINDER to such a legal fiction NAME blindly takes responsibility for the alleged debts of the Trust as its Trustee. When a living name is “mirrored” by the registration of an artificial legal “person” on the Birth Certificate, an Estate Trust is formed, such as MR JOHN DOE TRUST. Legal fictions having no innate productive capacity are debtors by default, serving as “transmitting utilities” for human energy. Nations that operate via a Central Bank controlled by the Bank for International Settlements have been indebted by the “incorporation” of Government into a debt-money system, thereby surrendering the power of sovereign money issuance.Ī global system of debt bondage has been established by “incorporating” governments and by programming the people to “act” in the fictional “roles” of “artificial persons”. You are indoctrinated to “act” in the “role” of an artificial legal “person”, which is a creation of the State and a debtor serving as “surety” for the corporate debt of YOUR NATION (INC). The manner and appearance of “authority” are usually intimidating by design, while the language of legal fiction commerce (Legalese) is deceptive. The populace manipulated to become dependent (debt-money) and conditioned to become fearful. Most people exist in a culture of submission and conformity, allowing numerous aspects of their lives to controlled by the Government. We are programmed from an early age to accept higher authority. The State is public, and therefore it's Public Servants, and its legal fiction creations are “in the public”, including its artificial legal “persons”.Ī man or woman can either “live” “in the private”, or “act” “in the public”. Every natural man and woman is born “in the private”.
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Typically each series or individual radio requires its own software package. Please use Google or some other search engine to find a dealer that sells the software. The various other vendors often permit their dealers to sell the software online (i.e., Kenwood). To obtain Motorola software see the Sticky in the Motorola forum. It is YOUR responsibility to properly word your request. APX Portables: APX Mobiles: MTS: MCS : Astro Saber: XTS 3000: Astro Spec : XTS. Instructions: Enter up to 4 flashcodes below. We do not want any hurt feelings when your vague post is mistaken for a free request. Encoder (for Smartphone Browsers) » Options list last updated. If you are having trouble legally obtaining software please state so. Your PM's are not private and the administration has the right to read them if there's a hint to criminal activity. Even if you attempt to engage in this activity in PM's we will still enforce the forum rules. While we can't supply your radio, we do offer OEM Motorola APX6000 accessories. The same goes for any private transaction via Private Message. The channel bandwidths for voice and traffic channels are 12.5kHz. Making a request such as this is attempting to engage in software piracy and this forum cannot be involved or associated with this activity. P25 Phase 1: The P25 Common Air Interface (CAI) on P25 Phase 1 uses a technology known as Frequency Division Multiple Access (FDMA), where the channels are divided according to frequency. All requests will be deleted and a forum infraction issued. Please do not make requests for copies of radio programming software which is sold (or was sold) by the manufacturer for any monetary value. If you have a Motorola XTS, XTL, or APX radio or an EF Johnson/Kenwood radio, it has the potential of working on the P25 system. 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This R-Squared Calculator is a measure of how close the data points of a data set are to the fitted regression line created. High R-squared Values can be a Problem R-squared is the percentage of the dependent variable variation that the model explains. To display this value on the scatterplot with regression model line without taking help from any package, we can use plot function with abline and legend functions. Similarly, it is asked, will a high r2 value always provide an accurate answer? The R-squared value is the coefficient of determination, it gives us the percentage or proportion of variation in dependent variable explained by the independent variable. What does a low r2 value mean? A low R-squared value indicates that your independent variable is not explaining much in the variation of your dependent variable - regardless of the variable significance, this is letting you know that the identified independent variable, even though significant, is not accounting for much of the mean of your 100% indicates that the model explains all the variability of the response data around its mean. R- squared is always between 0 and 100%: 0% indicates that the model explains none of the variability of the response data around its mean. The lower the number, the less relationship the. Regarding this, what is a good R squared value? R2, or R-squared, is the relationship between two sets of data as determined by a number between zero and one. R-squared is the percentage of the dependent variable variation that a linear model explains. For the same data set, higher R-squared values represent smaller differences between the observed data and the fitted values. The calculation of \(R^2\) builds off of the sums of squares framework.R-squared evaluates the scatter of the data points around the fitted regression line. Our tutorial on simple regression walks through how the correlation and regression equation were calculated from the data in this example. For each one percentage point increase in Tweet share, the expected vote share increases by. That is, the vote share for somebody with a Tweet share of zero is 37.02. The regression equation for our data is y = 37.02 0.269x. The relationship between vote share and tweet share is positive and strong, with a Pearson’s r correlation of 0.509, though the observed values do not appear to be very tightly clustered around the regression line. To get an idea of the relationship between these two variables, we can visualize them using a scatterplot and regression line: We will use vote share as the outcome variable, and tweet share as the lone predictor variable. 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This post will walk you through how to calculate \(R^2\), how to assess if your model has a “good” \(R^2\) value, as well as present some of the limitations of using \(R^2\) to assess model fit. Also called the coefficient of determination, an \(R^2\) value of 0 shows that the regression model does not explain any of the variation in the outcome variable, while an \(R^2\) of 1 indicates that the model explains all of the variation in the outcome variable. It uses a scale ranging from zero to one to reflect how well the independent variables in a model explain the variability in the outcome variable. R-squared ( \(R^2\)) is one of the most commonly used goodness-of-fit measures for linear regression. Square Enix London Mobile today revealed that the three original English-language Lara Croft voice actors will join Keeley Hawes in Tomb Raider Reloaded when the mobile game launches next year. 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Of course, all the elements of the blues are present: Chorus : all of bars 5-8 bars 1 and 6-8. Specifically, I am speaking of in Chorus, bars 2-4 and during Chorus, bars 1-4. It really struck me because I don't recall hearing or seeing lines such as these. Of greater musical interest is the fact that Wes employs a particular kind of chromaticism to his lines which, in all honesty, seemed to disappear from his playing as the years progressed. Perhaps this was done because of all the potential leakage into the live microphones for the drums, vibes, piano, and the horn section? It's hard to say from this perspective, but it's an educated guess. And, I miss the warmth created by the usual tube amps of that period. Here, I like his tone very much even though it sounds to me as if they used a direct signal from his guitar, because his ' touch' sounds so present. It was then really interesting for me to hear the Pacific Jazz solo of Wes' on "Bock to Bock" for several reasons. I have sketched out one example of how he seemed to approach these changes during the 1st four bars, but if you purchase the recording you can learn a great deal by studying what the bass is doing! The solo changes are also like the head, but a typically clever Montgomery ii-V sequence in bars 7-8 leads us back to Dbm again. The solo changes stay very close to the changes presented during the 'head.' However, because the 1st four bars could always be loosely interpreted as Dbm7, bassist Monk Montgomery applies many variations during the course of the Pacific Jazz performance which features solos by: vibes(Buddy) tenor sax(#1: Wayman Atkinson) trumpet( Freddie Hubbard) tenor sax(#2: Alonzo Johnson) guitar(Wes), and finally, piano( Joe Bradley). One nice touch in each section is the little passage played in 3rds during bars 6-7. The 'bridge,' is stated in octaves with chordal punctuations building towards a single-note line in bars 6-7. The melodies, which present the flavor of a minor blues, are all stated in single note lines by Wes and Buddy's piano with octave and chordal punctuations. The Intro, over the descending bass line, Buddy offers some sparse fills on piano. The lead sheet you will view was derived from the Riverside version. Each section is marked by the descending bass line during the 1st 4 bars, and then a clever bluesy turnaround in bars 5-8 each time. "Bock to Bock," the tune, leads one to believe that they are about to hear a minor blues in Db with a feeling and attitude reminiscent of Peggy Lee's huge hit of " Fever." Unfortunately, my little theory about that is off by at least one year as "Fever" was not released until 1958! The form however, is the standard 32-bar A-A-B-A. And of course, lunatic that I am, I ended-up transcribing both of them and the similarities and differences now make for a fascinating study. In order to help him out, I had to listen to the tune again, and all of a sudden, I became interested in both solos. I was only reminded of the tune when a student of mine was attempting to transcribe it for a project. The truth is that, during my earliest studies of Wes' recorded work, I never really paid much attention to this tune, nor his solos. However, the 2nd solo is from an alternate take and appears on the CD titled, " THE ALTERNATIVE WES MONTGOMERY"(Riverside). Originally recorded on Wes' " FINGERPICKIN'"(Pacific Jazz) during December, 1957 with Buddy appearing on vibes and then later, recorded a 2nd time during January, 1961, on a Montgomery Brothers recording titled, " GROOVE YARD"(Riverside) where this time Buddy is featured on piano. Such is the case for Wes Montgomery's solos over brother Buddy Montgomery's composition, " Bock to Bock." The title is an obvious nod to longtime Pacific Jazz producer, Richard Bock. 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Those most suited to take up bonsai have patience and the ability to keep their eye on long-term rewards, as it takes a good while for leaves and branches to grow into a desired style. “But if you really want to learn bonsai, seeing other people, getting advice and talking to other people is the way to do it.” Many people bring in their trees to the Rainbow club’s monthly meetings to receive input from members, of which about 25 are active. “I was really hesitant to join a club because I was afraid I wouldn’t be accepted, I was such a rank beginner,” Wagner said. Most people who are self-taught mainly through reading usually quit in a couple of years after a few failures, as Wagner once did as a teenager. “In fact, there’s a Japanese style called ‘bungin,’ also known as ‘literati,’ that breaks all the rules, but it has to be done right to be aesthetically good.” “There’s a lot of room for individuality, but you have to know what the rules are so you can know when to break them,” Wagner said. Since then, Wagner has concentrated on tropical flowering plants with a woody structure, such as bougainvillea, ilima, hao and hibiscus.īeginners may get the mistaken impression that bonsai design must rigidly conform to classic styles. He retired as a spacecraft engineer in 2010 and moved to Hawaii with his wife, Andrea, who is also a member of the Rainbow club. Wagner began studying under eminent bonsai masters in the mid-1980s in Southern California and became president of one of its largest clubs, Dai Ichi Bonsai Kai. Rick Wagner, the club’s former president who is now serving as secretary, said the juniper and other evergreens are most commonly used in bonsai, but he has always favored flowering trees. There are many bonsai designs, but the five basic styles include formal upright, informal upright, slanting, cascade and semi-cascade. Carrillo said most trees require aluminum or copper wiring of the branches to achieve a good design and allow even exposure to sunlight, which Chan will demonstrate.Ĭarrillo recommended that beginners find an experienced practitioner or join a club to get advice on how to choose a basic design, based on the individual characteristics of the tree, that will be easily sustainable as it grows. Numerous plant vendors and an auction are also scheduled for the Rainbow club’s inaugural visiting artist event.Ĭhan will work on a raw, unshaped miniature juniper and demonstrate how to select the tree’s front, establish its basic design and teach the fundamentals of branch placement starting from the trunk base. He authored the “Bonsai Pocket Guide: A Beginner’s Journey,” and is a prolific teacher on YouTube. May 29 at the Koko Head Elementary School cafeteria the demo will also will be livestreamed on Facebook. Those who’ve always wanted to try their hand at bonsai will get the chance to learn the basic principles from bonsai artist and teacher Jason Chan of Southern California next weekend, courtesy of the club.Ĭhan, owner of the Eastern Leaf nursery and an online retailer in Chino, Calif., will give a free demonstration from 9 a.m. The club is all about helping beginners succeed at the start of their journey and gathering enthusiasts together to exchange their knowledge. “The tree is never done, you have to constantly work at it … it’s like having a child almost.” “The ability to create a miniature tree in a pot that resembles a tree in nature is the ultimate goal of bonsai practitioners and is a lifelong journey of discovery, reflection and learning,” said Mel Carrillo, publicist for the Rainbow Bonsai Club. Shaping a bonsai tree is a matter of art imitating life, a rewarding process that never ends. Ejector pin4/30/2023 You can work with molders’ applications engineers to discuss pin locations and type on critical areas to ensure molding and part design concerns are resolved.Ī post gate lets resin be injected through an ejector-pin hole.Ī post gate is an extreme example of a raised ejector pad (see illustration above). Additionally, a longest pin (which is fully indenting) makes the plastic area thin, so designers should make sure it is not so thin that you end up with a hole in the part on account of a short shot or the pin punching through the surface entirely. Keep in mind that with the shortest pin, you will be making a thicker section of plastic-which, if too thick, could lead to sinking on the back side of the part. There are two other options besides just center cut: Shortest leaves the standing pad under pin, while longest fully indents the pin into the part. The default configuration is a center-cut pin, which on an angled or curved face means the pin hits tangent to the surface. Configuring a pad that is slightly recessed into the part surface is the default configuration for pins on contoured surfaces. Because it is in a different plane than the part surface, the pad may be raised slightly above the part surface or recessed slightly below the part surface at one edge. If a pin needs to act on a part surface that is not parallel to the pin-end, there should be a pad, provided it is in the same plane as the pin-end rather than that of the part surface. From top to bottom, these include a center cut pin, which is indented on a curved part surface shortest cut pin, which adds a pad, shown in yellow, above the curved part surface and longest cut pin, which fully indents the pin into the part. The above illustration shows three basic types of pins on a non-flat surface. Many molders usually do not support production of contoured pins unless customers request it. In traditional steel production tools, it may be possible to machine the end of a pin to match the contour of a part’s surface that is not perpendicular to the direction in which the pin moves. And if the surface of the part is not parallel to the flat end of the pin, the cosmetic marring will be even more obvious. If the part surface at that location is textured, the smooth surface of the pad will be apparent. To be effective, the pins need a flat “pad” on the part to push against, and the pad’s surface must be perpendicular to the direction of pin movement. Some molders use round ejector pins with flattened ends perpendicular to the direction in which the pin moves. Softer resins may also require more or wider pins to spread the removal force, as well as to prevent puncturing or marring of the cooled plastic. Some resins are “stickier,” requiring more force for release from the mold. Resin choice also affects pin placement or size. Other factors, such as draft and texture of sidewalls, and depth of walls and ribs, increase the likelihood that areas of parts will cling to the mold. The number of ejector pins and their placement depends on several factors. Once the mold is opened, the pins extend into the mold cavity, push the part out, and then retract, letting the mold close and be refilled. Pins are in the B-side half of the mold, the side in which the part remains when the mold is opened. This is an example of the illustration some molders provide early in the process of designing the mold so that the location and size of both the gate(s) and ejector pins can be approved. In some cases, manufacturers provide contour pins, which are ejector pins manually ground at an angle to closely match the part’s contoured surface. 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